Feminae: Medieval Women and Gender Index


3 Record(s) Found in our database

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1. Record Number: 10852
Author(s): Howie, Cary.
Contributor(s):
Title : Vision Beyond Measure: The Threshold of Iacopone's Bedroom
Source: Troubled Vision: Gender, Sexuality, and Sight in Medieval Text and Image.   Edited by Emma Campbell and Robert Mills .   Palgrave Macmillan, 2004.  Pages 139 - 153.
Year of Publication: 2004.
2. Record Number: 8703
Author(s): Gravdal, Kathryn.
Contributor(s):
Title : Metaphor, Metonymy, and the Medieval Women Trobairitz [The author argues that the metaphorical expressions of the troubadour’s love and suffering before an all-powerful "domna" figure him as a woman. The female trobairitz counter this self-serving construction of gender by creating songs in which women have the possibility of self-expression and agency. Title note supplied by Feminae.].
Source: Romanic Review , 83., 4 ( 1992):  Pages 411 - 426.
Year of Publication: 1992.
3. Record Number: 11216
Author(s): Cooper, Helen.
Contributor(s):
Title : Gender and Personification in "Piers Plowman" [Although most allegorical writings associate personifications with femininity (abstract nouns often being grammatically feminine in Latin and Romance languages), Langland’s Middle English poem genders personifications based on what attribute they are intended to represent, sometimes representing them as male and sometimes as female. The Seven Deadly Sins, for instance, are not personified as abstract concepts but are exemplified in the behavior of representative individuals (both men and women). Rather than seeing various figures in the poem as allegorical, medieval rhetoricians would claim they are metonyms (parts or attributes representing the larger whole). Thus male figures in the poem can be read as representing particular aspects of the (male) poet’s self. Title note supplied by Feminae.].
Source: Yearbook of Langland Studies , 5., ( 1991):  Pages 31 - 48.
Year of Publication: 1991.